Dr Andrzej Gasiorek BA
Reader in Twentieth-Century Literature
I have been teaching at the University of Birmingham since 1993. Prior to that I worked for three years at the University of East Anglia. I did my doctoral work in Canada at McGill University, where I held a Commonwealth Scholarship for five years. I took a BA in English (in the School of Cultural and Community Studies) at Sussex University.
I have taught in a number of areas over the years: Victorian literature; Modernism; the Avant-gardes; Postmodern literature and theory; post-war British fiction; literary theory; and courses on specific writers (Joseph Conrad, Ford Madox Ford, Henry James). I currently teach a range of undergraduate modules and co-teach on the MPhil in Literary Transitions.
My doctoral work focused on developments in the British novel after the Second World War, and this led to my first book, Postwar British Fiction (1995), which concentrated on the various responses to the legacy of Modernism and to the challenges posed by postmodernism. Since 1995 I have been working primarily on Modernist literature, although I have maintained my interest in contemporary writing, producing a book on J. G. Ballard (2005). Wyndham Lewis’s writing and painting is an ongoing source of interest; my book Wyndham Lewis and Modernism (2004) discusses Lewis’s complex contribution to (and later critique of) Modernism. My principal interests at present coalesce around questions of history, tradition, and ethics from the late 19th to the late 20th century. I am also co-editor (with Deborah Parsons and Michael Valdez-Moses of the electronic journal Modernist Cultures, which focuses on the multiple contexts of modernity in order to consider issues of cultural production and circulation.
I regularly contribute to conferences in England and abroad. Recent conferences that I have organised include:
I am involved in the AHRC funded Modernist Magazines Research Project run by Peter Brooker and Andrew Thacker; I have contributed to the Modernist Journals Project at Brown University; I am working with Peter Brooker, Andrew Thacker and Deborah Parsons on the production of A Handbook of Modernisms; and I am engaged in collaborative research with Deborah Parsons on a project titled Imagining History: Literary Aesthetics, Modernity and Historiography 1873-1940.